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With a total of eight Grammy awards, four of the top 10 best selling metal albums of all time, and a member of the “Big Four”, which cumulatively established thrash metal as recognized genre, Metallica holds a special place in the history of heavy metal. From 1983 to the present day, Metallica has continued to turn out platinum albums with clock-like regularity. Not surprisingly, guitarists from total novices to seasoned experts have tried, and often failed, to figure out exactly what it is about Metallica’s amp settings, amps and guitars that produces their unique tone. Though Kirk Hammett and James Hetfield have tweaked their setup throughout the years, there is still no mistaking that distinctive sound that makes them one of the greatest metal bands ever. Whether your aim is to try to reproduce the sounds you hear on the albums or live shows in your own playing, or you just want to know because you’re into gear, hopefully this list will answer your questions.

Gigaware pc to tv converter. The method that makes the most sense is to break the list up by periods in the band’s history where James’ and Kirk’s equipment has remained pretty consistent. Each section includes the albums and any remarkable live shows during that period, the guitars used most frequently, the amp setup each one used and the general amp settings for both James and Kirk.

To wrap up the list, I’ve included a list of the effects used by each guitarist, and where possible, the settings for those too. During this period, Kill ‘Em All (1983) and Ride the Lightning (1984) were released. Metallica also performed a tremendous live show in Toulouse, France on November 22, 1984 (one of the few recorded with late bassist Cliff Burton) that they offer a free download of on their. At this time, both James and Kirk were using Marshall rigs modified by Jose Arrendondo, a guy who’s modded amps for a number of guitar greats from Eddie Van Halen to Steve Vai. James mostly employed the JCM 800 while Kirk used a combination of the SLP (Kill ‘Em All), later switching to a JCM 800 (Ride the Lightning). 3.AND JUSTICE FOR ALL (1988 - 1993) This era marked a period of transition for Metallica and included the albums And Justice for Al l and the Black album. Also included during this period were impressive live shows in Seattle (1989) and Moscow (1991).

This marks the first time that both James and Kirk fully transitioned to Mesa Boogie amplification, first using the Mark IIC and later switching to the Mark IV. Toward 1990, James did begin to experiment with the Roland JC120 for a clean sound. One significant addition to James’ rig was the introduction of the ADA MP-1 preamp.

The MP-1 was the preeminent metal preamp of the late 80s and early 90s because of its ability to provide a without sounding muddled or muddy, and despite its vintage, is still in wide use by metal guitarists to this day. During the recording of both And Justice and the Black album, James and Kirk used a number of different amp settings, which added a great deal of variety to the song, but made it tougher to nail down a specific set of amp settings that apply to an entire album. For example, the heavily distorted rhythm section of the song One was recorded with significantly boosted bass and midrange, while the generally more melodic and radio friendly songs on the Black album tended to have the gain and bass dialed dow n somewhat. The best approximations of the clean and overdriven sounds are as follows: Clean Sound. ANGER (2000 - 2005) The period was somewhat slower paced encompasses the St.

Anger album, and was more notable for changes in guitars than in amps but in one of the more interesting changes, Kirk began using a 1959 Fender Twin Reverb. This was an extremely unusual move considering that the Twin Reverb is more commonly associated with country and classic rock sounds; however, according to Justin Crew, Kirk’s guitar tech, it remains one of his favorite amps. The settings didn’t change much from the previous albums except for a more pronounced midrange tone. Kirk added a couple of flying Vs, one with a Floyd Rose tremolo system and the other with just a single EMG active pickup. DEATH MAGNETIC (2006 - 2011) Featuring the albums Death Magnetic, Lulu and Beyond Magnetic, this time marked the most significant change in amps since the guitarists switched to Mesa Boogie in 1986. While James b egan to use a Diezel VH-4 head alongside his trusty Mesa Boogies, Kirk signed a deal with Randall to use their heads, cabinets and preamps alongside his Mesa Boogies.