Chromaphone 2 from Applied Acoustic Systems is a plug-in that combines software models of various acoustic resonators to create drum, percussion, string, and synthesizer-like instruments. The resonators' material, tuning, and coupling parameters allow the creation of a wide range of instruments and sonic colors, with results varying from real to innovative. A wooden bar makes a xylophone; turned metallic it becomes a glockenspiel. Adding a tube transforms it into a vibraphone or marimba. Plates shape up in bells and cymbals. Membranes are used for drum skins, and when combined with a tube, they create bass drums, snares, congas and bongos.

Applied Acoustics Chromaphone 2 is a synthesizer dedicated to the creation of acoustic instruments. It is based on the combination of acoustic resonators to.

For musicians and producers the plug-in provides the ability to essentially become instrument makers. The software takes into account the effect of coupling between resonators. Bringing together acoustic objects, for example the string and soundboard at the bridge of a guitar, changes the way each of them vibrates. A proprietary technology models precisely how the objects interact and exchange energy thereby capturing key acoustic behaviors of musical instruments. One-shot sounds are no longer limited to just velocity changes. The plug-in utilizes the entire keyboard range to modulate volume, mallet noise and stiffness, noise-filter frequency and density, hit position, and coupling to open a whole world of expressive sounds, and in a totally step-less fashion.

And built-in effects include compressor, EQ, delay, distortion, phaser, chorus, flanger, wah wah, notch filters, and reverb. Performance features include the ability for the software to match the user's playing style or musical context thanks to the tap tempo and sync to host clock options, up-to-4-voice unison, and flexible vibrato. An arpeggiator offers various syncing resolutions, playing algorithms, and rhythmic patterns that will spruce up any chord progressions.

Here at Time+Space we’re happy to announce that we are now selling ‘ excellent range of professional sound modelling virtual instruments & effects. The company has strong experience in the field as they approach their 20th year of supplying music software to top end producers, composers & musicians and what makes them so unique is their approach to making these plugins; instead of sampled based instruments, AAS focus on using sound modelling to build their instruments. It will become clearer what this all means as you read on so without any further ado, I’m going to jump straight in and give you a rundown of AAS’s top-selling products to give you an idea of how much there is on offer. Applied Acoustic Systems’ versatile electric piano plugin gets it’s 4th update as the company take it to another level of authenticity by expanding it’s features, retaining its title as one of the most realistic electric piano plugins available to date. Focusing on the renowned sound of the Rhodes & Wurlitzer, AAS studied the build of the original instruments and modelled the plugin around these components to ensure an accurate & pure sound. The interface consists of 3 pages: Play, Edit & Effects. The Play page essentially groups together the main important parameters from the Edit & Effects pages; find the effect parameters on the top half of the page and the key piano parameters on the bottom half such as hammer noise, fork adjustments & tone character.

The Edit page (below) consists of all the detailed sound modelling controls that will help you optimize your sound. Yazikovie paketi windows xp sp3 download. Starting with the Hammer module, this simulates the force of the impact when the piano hammer strikes the fork and you have control over the stiffness of the hammer material, the force of the impact and the amplitude of the resulting noise produced from the impact. The Fork module is the component of the piano that actually produces that luscious sound we all know; you can use the Tine & Tone Bar parameters of this module to adjust fine pitch & amplitude. The Pickup module simulates how the sound of the fork is captured & the damper module gives you control over the noise produced by the damper. Finally you can adjust the tremolo settings, a feature that is synonymous with the Rhodes & Wurlitzer sound! The 3rd page is where you can find Lounge Lizard’s built in FX to allow for even more customisation and modulation of sound. Choose from a compressor, equalizer, delay, distortion, phaser, chorus, flanger, wah wah and notch filters, and reverb then mix & match as you please.

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